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Chris Seneker

3D Designer
3D motion graphics specialist for Microsoft, Apple & Intel.
Chris Seneker has over ten years of experience as a 3D motion designer, VFX artist and video production expert. With experience working with organizations ranging from agencies and studios to large Fortune 500 companies such as NFL, Ubisoft, Comcast, Apple, and Intel, Chris has developed motion graphics, 3D and 2D models, and more. He is well versed with the Adobe CC Suite as well as Cinema 4D and other 3rd party tools.

Taneya Balaji

3D Designer
Corporate animator for BCG, National Australia Bank & Manulife.
As an art director, Taneya Balaji has over eight years of experience in the fields of publication design, advertising, web design, e-commerce, branding, illustration, motion design, consulting, film production, and projection mapping. She has worked as a creative corporate animator and art director for Cartoon Network, The Boston Consulting Group, National Australia Bank, and Manulife and designed print and digital campaigns for global clients and brands, including Nike, MTV, Google, YouTube, Amazon India, and Incredible India.

Naoise Guerin

3D Designer
Seasoned UI/UX/CX design director & strategist.
An experienced design director and digital product strategist, Naoise Guerin has 23 years of international experience in the design industry across Ireland, Germany, New York, and Sydney. He has designed and conceptualized various web and native mobile software projects, ranging from children's entertainment and educational software products to enterprise and consumer financial systems. His clients include European banks and financial institutions, Bell Canada and other European telecommunications, Publicis, Houghton Mifflin Harcourt, Sesame Workshop, New York Hall of Science, Irish National Lottery, and Irish government agencies. Naoise is also proficient in using tools like Adobe XD, Sketch, Zeplin, SwiftUI, and Adobe Creative Suite.

Robert Pregardt-Paur

3D Designer
Past clients include ESPN Australia, Deloitte, BHP, ANZ Tennis Open, & SBS.
Robert Pregardt-Paur is a senior animator and designer with eight years of experience in the industry, specializing in character, interface design, and infographic animation. His experience ranges across animation, graphic design, motion graphics, illustration, UI/UX, storyboarding, and video editing. He has worked for large agencies and clients, including ESPN Australia, Deloitte, BHP, ANZ Tennis Open, and SBS. In 2017, he animated the video “Magna Carta – The Story of Our Freedom” for The Australian Human Rights Commission, which received a Good Design Award.
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Frequently asked questions

Most teams see matched candidates within 48 hours. Our pre-vetted network means we are not starting from scratch when you reach out. If we do not have the right person available, we will tell you upfront rather than scramble.
Practitioners vet practitioners. Your growth marketer candidate gets interviewed by someone who has run growth at similar companies, not a recruiter checking keywords. We combine technical assessments, portfolio reviews, and cultural fit screening before anyone reaches your inbox.
Contract talent works on defined projects with clear deliverables. Embedded talent integrates into your team for ongoing work, attending standups and using your tools. Both can transition to full-time if the fit is right. We help you choose based on scope, timeline, and budget.
If it is not working in the first few weeks, we will find you a replacement at no additional cost. We are not in the business of defending bad matches. Most clients never need this because we invest heavily in fit upfront.
We offer flexible engagement models: hourly for short-term projects, monthly retainers for ongoing work, or placement fees for full-time hires. No hidden fees, no long-term contracts unless you want them. Your account manager will walk through options on your discovery call.
Yes. Someone who thrived at Google with dedicated QA, DevOps, and product managers may flounder when they have to wear all three hats. We look for people who have operated at your stage, pace, and level of ambiguity.
Yes, and not just the flashy demo-building part. Our Agent Operations practice includes people who have run AI agents in production and dealt with the messy reality of keeping them reliable, cost-effective, and safe.
Most marketplaces optimize for volume. They send you 10 candidates hoping one sticks. We optimize for fit. We would rather say “we do not have the right person” than waste your time. Our 95% satisfaction rate comes from being selective, not fast.